Total Recall [Blu-ray]

Total Recall [Blu-ray]

Total Recall [Blu-ray]
From Lions Gate

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Product Description

Get ready for the ride of your life! This Special Edition DVD allows you to experience TOTAL RECALL the way it was meant to be seen and heard. Arnold Schwarzenegger is perfectly cast as Quaid, a 2084 construction worker haunted by dreams of Mars in this crowd-pleasing science fiction spectacle. Against the wishes of his sexy blonde wife (Sharon Stone), Quaid goes to Rekall, a company that implants artificial memories, so he can "remember" visiting the red planet that is now being settled by human inhabitants. However, Quaid is actually an amnesiac secret agent from Mars - or is he?


Product Details

  • Amazon Sales Rank: #3328 in DVD
  • Brand: Lions Gate
  • Released on: 2006-08-29
  • Rating: R (Restricted)
  • Aspect ratio: 2.35:1
  • Number of discs: 1
  • Formats: Anamorphic, Color, Dolby, DTS Surround Sound, Subtitled
  • Original language: English
  • Subtitled in: English, Spanish
  • Dimensions: .0" h x .0" w x .0" l, .25 pounds
  • Running time: 113 minutes

Editorial Reviews

Amazon.com essential video
This science fiction blockbuster from 1990 began its production life as a very different movie than the one that was released. An adaptation of the Philip K. Dick short story "We Can Remember It for You Wholesale," Total Recall was originally conceived of with Richard Dreyfuss starring as a Walter Mitty-like character who experiences a variety of artificially induced fantasies. The movie we know is a mega-budget action epic set on Mars. Arnold Schwarzenegger plays a normal working man who discovers that his entire reality has been invented to conceal a plot of planetary domination. Oscar-winning special effects and violent action propel the twisting plot, in which Arnold manipulates his manipulators in a world of dazzling high technology. Director Paul Verhoeven (Robocop) indulges his usual penchant for gratuitous bloodshed, but the movie has enough cleverness to rise above its excesses. --Jeff Shannon

Amazon.com
This science fiction blockbuster from 1990 began its production life as a very different movie than the one that was released. An adaptation of the Philip K. Dick short story "We Can Remember It for You Wholesale," Total Recall was originally conceived of with Richard Dreyfuss starring as a Walter Mitty-like character who experiences a variety of artificially induced fantasies. The movie we know is a mega-budget action epic set on Mars. Arnold Schwarzenegger plays a normal working man who discovers that his entire reality has been invented to conceal a plot of planetary domination. Oscar-winning special effects and violent action propel the twisting plot, in which Arnold manipulates his manipulators in a world of dazzling high technology. Director Paul Verhoeven (Robocop) indulges his usual penchant for gratuitous bloodshed, but the movie has enough cleverness to rise above its excesses. --Jeff Shannon

From The New Yorker
This fifty-million-dollar science-fiction thriller is full of relentless action and spectacular effects, and it's no fun at all. It's as heavy-spirited as its star, Arnold Schwarzenegger: imposing and implacable, like the killer robot Arnold played (or embodied) in "The Terminator." The script, by Ronald Shusett, Dan O'Bannon, and Gary Goldman, is based on a story by Philip K. Dick; the plot keeps twisting and turning, but we stop following it before the picture is half over. It's just a frame for meaty action sequences-a skeleton nestled deep inside ballooning muscles. The director, Paul Verhoeven ("RoboCop"), composes striking images, but they're oppressive and completely impersonal: every weird angle, every closeup of a face contorted with pain, every splash of bright-red blood is an effect borrowed from horror comics. The picture itself is a terminator: when it's over, you feel as if the life had been pounded out of you, and you never want to go to the movies again. Also with Sharon Stone, Ronny Cox, and Rachel Ticotin. Cinematography by Jost Vacano. -Terrence Rafferty
Copyright © 2006 The New Yorker