Thirteen
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Average customer review:(366 customer reviews)
Product Description
"Brace yourself" (Rolling Stone) for a raw, revealing insight into urban adolescence that's so intense and realistic, "it's possible to turn away (Interview Magazine). Anxiously trying to fit into the peer-pressure cooker environment of junior high, thirteen-year-old Tracy (Evan Rachel Wood) goes to shocking lengths in order to befriend Evie (co-writer Nikki Reed), the most popular girl in school. Now the two are inseparable - and incorrigible - leaving Tracy's desperate mom (Academy Award winner Holly Hunter) powerless to rescue her from a whirlwind of drugs, sex and crime.
Product Details
- Amazon Sales Rank: #6250 in DVD
- Brand: HUNTER,HOLLY
- Released on: 2004-01-27
- Rating: R (Restricted)
- Aspect ratio: 1.85:1
- Number of discs: 1
- Formats: Anamorphic, Dolby, Dubbed, DVD, Full Screen, Subtitled, Widescreen, NTSC
- Original language: English, French, Spanish
- Subtitled in: English, Spanish
- Dubbed in: French, Spanish
- Dimensions: .22 pounds
- Running time: 100 minutes
Editorial Reviews
From The New Yorker
Evan Rachel Wood is Trace, a Los Angeles junior-high-schooler going nuts from being thirteen. Nikki Reed is Evie, the fast, knowing, cat-eyed girl Trace develops a crush on. The two cruise the shops on Melrose Avenue, buying or stealing what they need, and they dress for school like baby whores. This sensational (in both senses) independent feature, directed by the former set designer Catherine Hardwicke and shot by ace cameraman Elliot Davis, is an emotionally coherent work about incoherent longing-the girls abuse themselves and others and run from one extreme emotion to another. The movie is so absorbing and intelligent that you don't feel repelled by the destructiveness of what they do. With Holly Hunter in a brave performance as Mel, Trace's forty-fiveish mother, who is herself a kind of teen-ager. Nikki Reed poured a lot of her own disasters into the script, which was written in collaboration with Hardwicke. -David Denby
Copyright © 2006 The New Yorker

