The Gift

The Gift

The Gift
Directed by Sam Raimi

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Product Description

Oscar-Winner and Golden Globe. Winner Cate Blanchett leads an incredible all-star cast including Academy Award-winner Hilary Swank (Boys Don't Cry), Keanu Reeves (The Matrix), Katie Holmes (Wonder Boys), Giovanni Ribisi (Saving Private Ryan), and Oscar-nominee Greg Kinnear (As Good As It Gets) in this stylishly filmed mystery that's as eerie as a backwoods swamp with a dark secret beneath it's even darker surface. Widow and mother of three, Annie Wilson (Blanchett), makes her living by foretelling others' futures...though her own has become cloudier than even she can see. Threatened by a client's violently jealous husband (Reeves) and plagued by visions of a missing towns-girl (Holmes), Annie is unwittingly pulled into a thicket of lies and deception in which her extraordinary gift could be used against her...and get her killed. Written by Billy Bob Thornton (Sling Blade) and Tom Epperson (A Family Thing), and directed by Sam Raimi (A Simple Plan), The Gift is a gripping tale of supernatural intrigue...and chilling terror.


Product Details

  • Amazon Sales Rank: #8931 in DVD
  • Brand: BLANCHETT,CATE
  • Released on: 2001-07-17
  • Rating: R (Restricted)
  • Aspect ratio: 1.85:1
  • Number of discs: 1
  • Formats: Anamorphic, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
  • Original language: English, French
  • Subtitled in: English
  • Dimensions: .25 pounds
  • Running time: 111 minutes

Editorial Reviews

Amazon.com
Take a pinch of psychic phenomenon, add a dash of Southern gothic, stir in a sharp cast of talented actors, and you'll come up with The Gift, director Sam Raimi's ingenious gumbo of a thriller. It doesn't hold together as well as Raimi's earlier A Simple Plan, but the two films are stylistically connected--The Gift was cowritten (with Tom Epperson) by A Simple Plan's costar, Billy Bob Thornton, who in turn draws from the Deep South milieu that informed his own Sling Blade and his earlier collaboration with Epperson, One False Move. A similar sense of mystery permeates The Gift, in which a small-town Georgia psychic (perfectly played by Cate Blanchett) is tormented by tragic loss and visions connected to the murder of a local vamp (Katie Holmes) whose schoolteacher fiancé (Greg Kinnear) is a prime suspect.

Other suspects include a hot-tempered bully (Keanu Reeves) whose battered wife (Hilary Swank) is one of the psychic's regular clients, and a traumatized local (Giovanni Ribisi) who is tenuously stabilized by therapy and antidepressants. While this trio of potential killers keeps the mystery alive, the requisite red herrings don't add much to the film's low-level suspense. Instead, Raimi is far more effective in creating an atmosphere of anxious dread that wells up from each of these finely drawn characters, starting with the widow psychic's extended mourning for her lost husband, the agonized terror of a beaten wife, and the percolating anger of a cuckolded spouse. All of this makes The Gift a worthy showcase for its esteemed cast, even as its plot twists grow increasingly familiar. --Jeff Shannon

From The New Yorker
After the snows of "A Simple Plan," Sam Raimi warms up by venturing south; his new movie was shot in Savannah, Georgia, although it still tries to chill the blood. Cate Blanchett stars as Annie, who combines the demanding roles of widow, single mother, clairvoyant, and shrink. One of her clients (Hilary Swank) complains of a violent husband (Keanu Reeves), who not only menaces Annie but ends up taking the rap for the disappearance of a local good-time girl (Katie Holmes). Add Greg Kinnear as an ominously pleasant wimp, and you have a full-strength cast bending its talents to fit a small piece of Gothic nonsense. You get sharp frights and looming fogs, plus innumerable nods to the perils of water, but running underneath it all is a sluggish solemnity, a hint that these horrors are meant to be important. As Raimi's budgets have grown, his cackling sense of fun has begun to shrivel. With Giovanni Ribisi, in a performance he may wish to forget. -Anthony Lane
Copyright © 2006 The New Yorker