The Cell [Blu-ray]
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Product Description
Import Blu-Ray/Region A pressing. A therapist (Jennifer Lopez, Out Of Sight) uses an experimental treatment to enter the mind of a serial killer (Vincent D'Onofrio, Men In Black) to learn his secrets. An FBI agent (Vince Vaughn, Swingers) must rescue her from the killer's nightmare mind
Product Details
- Amazon Sales Rank: #19912 in DVD
- Released on: 2009-07-07
- Rating: R (Restricted)
- Aspect ratio: 1.85:1
- Number of discs: 1
- Formats: AC-3, DTS Surround Sound, Dubbed, Import, Widescreen
- Original language: English, French
- Dubbed in: French
- Running time: 107 minutes
Editorial Reviews
Amazon.com
Schizoid serial killer Carl Stargher (Vincent D'Onofrio) has been captured at last, but a neurological seizure has rendered him comatose, and FBI agent Peter Novak (Vince Vaughan) has no way to determine the location of Stargher's latest and still-living victim. To probe the secrets contained in Stargher's traumatized psyche, the FBI recruits psychologist Catherine Deane (Jennifer Lopez), who has mastered a new technology that allows her to enter the mind of another person. What she finds in Stargher's head is a theater of the grotesque, which, as envisioned by first-time director Tarsem Singh, is a smorgasbord of the surreal that borrows liberally from the Brothers Quay, Czech animator Jan Svankmajer, Hieronymous Bosch, Salvador Dali, and a surplus of other cannibalized sources.
This provides one of the wildest, weirdest visual feasts ever committed to film, and The Cell earns a place among such movie mind-trips as 2001: A Space Odyssey, Altered States, What Dreams May Come, and Un Chien Andalou. Is this a good thing? Sure, if all you want is freakazoid eye-candy. If you're looking for emotional depth, substantial plot, and artistic coherence, The Cell is sure to disappoint. The pop-psychology pablum of Mark Protosevich's screenplay would be laughable if it weren't given such somber significance, and Singh's exploitative use of sadomasochistic imagery is repugnant (this movie makes Seven look tame), so you're better off marveling at the nightmare visions that are realized with astonishing potency. The Cell is too shallow to stay in your head for long, but while it's there, it's one hell of a show. --Jeff Shannon
From The New Yorker
A man's intestines twirled around a golden spit; the pulsating organs of a dissected horse encased in glass; dead women pieced together as mechanical dolls-these are just some of the gruesome tableaux encountered by Jennifer Lopez, who plays a child psychologist who travels, via experimental drug, into the mind of a serial killer. The plot doesn't make much sense, but the imagery is arresting. The director, Tarsem Singh, made his name in music videos, and his feature début is full of intense visual trickery; he relies on surreal contrasts (snowflakes falling on a sunlit desert) and clever cuts (from pouring milk to a body drenched in bleach). Since most of the film takes place inside a psychopath's mind, the normal, comforting conventions of suspense don't apply. -Michael Agger
Copyright © 2006 The New Yorker

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