Pulp Fiction

Pulp Fiction

Pulp Fiction
Directed by Quentin Tarantino

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Product Description

With the knockout one-two punch of 1992's Reservoir Dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender. But Pulp Fiction was m


Product Details

  • Amazon Sales Rank: #84627 in DVD
  • Rating: R (Restricted)
  • Number of discs: 2
  • Format: NTSC
  • Original language: English, French, Spanish
  • Running time: 154 minutes

Editorial Reviews

Amazon.com
With the knockout one-two punch of 1992's Reservoir Dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that reestablished John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultrahip mixture of established marquee names and rising stars from the indie scene (among them Samuel L. Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin, and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. No, it was not the Second Coming (I actually think Reservoir Dogs is a more substantial film; and P.T. Anderson outdid Tarantino in 1997 by making his directorial debut with two even more mature and accomplished pictures, Hard Eight and Boogie Nights). But Pulp Fiction packs so much energy and invention into telling its nonchronologically interwoven short stories (all about temptation, corruption, and redemption amongst modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

From The New Yorker
Everybody wants to work with Quentin Tarantino; for this bright and startling new picture, his first since "Reservoir Dogs," he mustered an amazing crew that includes Samuel L. Jackson, Uma Thurman, Tim Roth, Harvey Keitel, Christopher Walken, Bruce Willis, and-best of all-John Travolta. They parade through two and a half hours of complicated, cross-weaving Los Angeles plots, some of which are more gripping than others; the talk is dirty and funny, the violence always waiting just around the corner. Watching the result is like going to a long, loud party. The next day, it seems like a dream: the film attacks your senses and gives you almost nothing to remember it by, let alone to nourish you. It had to happen, and Tarantino is the man to deliver it: cinema as fast food. -Anthony Lane
Copyright © 2006 The New Yorker