Gremlins 2: The New Batch

Gremlins 2: The New Batch

Gremlins 2: The New Batch
Directed by Joe Dante

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Product Description

Billy Peltzer and Kate Beringer move to New York City and meet up with their Mogwai friend, Gizmo, when a series of accidents creates a new generation of diverse gremlins. Billy, Kate, and Gizmo must once again use all their experience to prevent another catastrophe.


Product Details

  • Amazon Sales Rank: #2301 in DVD
  • Brand: Warner Brothers
  • Published on: 2002-08-01
  • Released on: 2002-08-20
  • Rating: PG-13 (Parental Guidance Suggested)
  • Aspect ratio: 1.85:1
  • Number of discs: 1
  • Formats: Anamorphic, Closed-captioned, Color, DVD, NTSC, Subtitled
  • Original language: English, Spanish
  • Subtitled in: English, Spanish, French
  • Dubbed in: French
  • Number of discs: 1
  • Dimensions: .18 pounds
  • Running time: 106 minutes

Features

  • Condition: New
  • Format: DVD
  • Anamorphic; Closed-captioned; Color; DVD; NTSC

Editorial Reviews

Amazon.com
Zach Galligan, the star of the first Gremlins, is back, along with Phoebe Cates, his girlfriend from the first film. They're both working in an ultramodern skyscraper owned by a Donald Trump clone (a hilarious John Glover). Galligan's furry little buddy is captured by a mad scientist, who not only helps it multiply, but invests the nasty, scaly offspring with intelligence and the ability to talk. (Watch for the one that has Tony Randall's voice.) What follows is imaginative mayhem that spoofs old movies, modern television, and the conveniences of postmodern technology. In some ways, the sequel is even more inventive and laughter-inducing than the original. --Marshall Fine

From The New Yorker
The director, Joe Dante, and his team (which includes the screenwriter Charlie Haas and the effects supervisor Rick Baker) have made a multimillion-dollar, special-effects-crammed picture that has the loose, improvisatory feel of the great Warner Brothers cartoons of the forties and fifties. They're fearless and indefatigable gagsters, and the movie is smarter, wilder, and more unfettered than the original "Gremlins" (1984). There's an ideal setting for the gremlins' rampaging consumption: they've been let loose in a state-of-the-art Manhattan office building and mall called the Clamp Centre (after Daniel Clamp, the egotistical developer who built it). This towering steel-and-glass wedge is a monument to the runaway acquisitiveness of the eighties, and by the time the little monsters have chomped and guzzled (and sung and danced) their way through its cheerless offices and boutiques, Dante and his collaborators have trashed-or at least lobbed spitballs at-quite a few of the most unattractive aspects of life in these United States. In its adolescent way, the movie's almost subversive: a high-spirited combination of Looney Tunes principles and Dante's own manic pop-culture-in-a-blender sensibility. Zach Galligan, Phoebe Cates, Dick Miller, and Jackie Joseph return from the first film. They're joined by John Glover, who plays Clamp as a doltish child; Haviland Morris, who is hilarious as an ambitious, fast-talking businesswoman named Marla; and the horror-movie veteran Christopher Lee, who plays Dr. Catheter, the director of a genetic-engineering laboratory. The animated pre-credit sequence, featuring Daffy Duck and Bugs Bunny, was written and directed by Chuck Jones, who made some of the greatest Warners cartoons. -Terrence Rafferty
Copyright © 2006 The New Yorker