Product Description

The most successful--and controversial--documentary in cinema history, filmmaker Michael Moore's heartfelt, hyperbolic jeremiad rails against the Bush Administration and its policies before and after the Sept. 11, 2001 terrorist attacks. Mixing his sardonic ambush journalism with news footage and interviews, Moore alleges that the Bush family's ties to Saudi oil money have unduly influenced the War on Terror at home and in Afghanistan and Iraq, and that the White House is using the Patriot Act as a means of curtailing civil rights and stifling dissent. 122 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital 5.1; Subtitles: English; deleted scene; featurettes; more.

Product Details

• Amazon Sales Rank: #8939 in DVD
• Brand: Genius
• Released on: 2007-07-03
• Rating: R (Restricted)
• Aspect ratio: 1.78:1
• Number of discs: 1
• Formats: Closed-captioned, Color, DVD, Widescreen, NTSC
• Original language: Arabic, English
• Dimensions: .24 pounds
• Running time: 122 minutes

Features

• Controversy.What Controversy? In the most provocative film of the year, Academy Award winner Michael Moore presents a searing examination of the role played by money and oil in the wake of the tragic events of 9/11. Michael Moore blends captivating and thought-provoking footage with revealing interviews while balancing it all with his own brand of humor and satire. Format: DVD MOVIE Gen

Amazon.com
To anyone who truly understands what it means to be an American, Michael Moore's Fahrenheit 9/11 should be seen as a triumph of patriotic freedom. Rarely has the First Amendment been exercised with such fervor and forthrightness of purpose: After subjecting himself to charges of factual errors in his gun-lobby exposé Bowling for Columbine, Moore armed himself with a platoon of reputable fact-checkers, an abundance of indisputable film and video footage, and his own ironically comedic sense of righteous indignation, with the singular intention of toppling the war-ravaged administration of President George W. Bush. It's the Bush presidency that Moore, with his provocative array of facts and figures, blames for corporate corruption, senseless death, unnecessary war, and political favoritism toward Osama Bin Laden's family and Saudi oil partners following the terrorist attacks of September 11, 2001. Moore's incendiary film earned Palme d'Or honors at Cannes and a predictable legion of detractors, but do yourself a favor: Ignore those who condemn the film without seeing it, and let the facts speak for themselves. By honoring American soldiers and the victims of 9/11 while condemning Bush's rationale for war in Iraq, Fahrenheit 9/11 may actually succeed in turning the tides of history. --Jeff Shannon

From The New Yorker
Michael Moore's new documentary is an incendiary and viciously funny attack on the Bush Administration-a whirlwind of political charges, sinister implications, and derision-in which the President comes off as a betrayer and fool who has all the substance of a stuffed doll. Moore accuses Bush of handing part of America's sovereignty over to the Saudis; he implies that the President, after 9/11, was more effective at frightening the electorate than at pursuing the terrorists; he presents America as an oligarchy in which the wealthy control everything while luring the dispossessed to "volunteer" in endless wars. Saying that pieces of this are true, or partly true, or true when joined to counterclaims-isn't the Army mostly a boon for the working class?-doesn't settle the journalistic issue. The movie's more radical allegations, which arrive like a shower of poison darts, are impossible to sort out and evaluate, and Moore often joins facetious narration to highly edited clips in a way that recalls the agit-prop techniques of dictatorial regimes. The movie is sensational entertainment for those already convinced but may repel the uncommitted. There are a number of powerful sections, however, that are impossible to dismiss, particularly the story of Lila Lipscomb, a Flint, Michigan, mother who loses her son in the Iraq war and, giving way to unappeasable grief, makes a half-crazed pilgrimage to the White House. -David Denby
Copyright © 2006 The New Yorker